Welcome to the sounds of Kate Carr. The Australian-born, London-based experimental artist who uses field recordings, sonic mappings et al, to explore the relationship between the natural and man-made worlds we find ourselves inextricably linked with.
Over the last ten years, Carr has quietly forged a career as an artist and curator, presenting her sound in the form of live performances, commissions and installations whilst also passing her knowledge on through lectures and workshops.
I first came across Carr in 2016, when she released ‘It was a time of laboured metaphors’ on boundary pushing US tape label ‘Helen Scarsdale Agency’. A return to the imprint occurred fifteen months later with ‘The Story Surrounds Us’ (I didn’t get a lot of sleep in Mexico is particularly beautiful) which in turn sparked a further personal interest in Carr’s sound.
Her latest release comes in the form of long form ‘Where to begin’, which began life as a shorter piece commissioned by the BBC. Released on Carr’s own imprint ‘Flaming Pines’, accompanying release notes can be found below.
‘This work was originally a shorter piece commissioned for the BBC show The Verb. I was asked to make a piece about loneliness, and I made a work which focused on the act of writing a love letter, as an activity we do alone in an attempt to connect with someone else. I have reworked this into a longer piece over the past few months, and because it seems to resonate somewhat aptly in this moment, I decided to put it out now. It is made from fragments of read love letters, sent to me by a wide range of people, and in several languages. Musically all sounds are created from recordings of falling glass beads hitting various surfaces, and instruments, in addition to close up recordings of the friction of pen on paper, and the textures of paper’.