A Recent Round Up – May

'Mist Coming Down' - Rime Trails (Self-Released)
‘Mist Coming Down’ – Rime Trails

As May draws to a close it’s time to reflect on a busy month of new releases. Global lockdown, for the most part, continues to be upheld. Here’s a short edit of some of the best music released in May (disclaimer – there could have been another ten posts!)

‘Mist Coming Down’ – Rime Trails (Self-Released)

Little can be found online about Rime Trails, an elusive ambient producer from Denmark. Over the past few years, a handful of releases across Shimmering Mood Records and Afterlife Ltd (plus some self-released works) have led to clusters of fans across the globe. ‘Mist Coming Down’ is Rime Trail’s latest offering – a delicate and considered 5-track ambient E.P. which traverses through sections of blissful piano tones and powerful, atmospheric synthscapes.

‘Of memories and hopes’ – Fallen (Lontano Series)

'of memories and hopes' - Fallen (Lontano Series)

A Lontano Series release was the first ever feature on Kaninhal and as label head Andrea Procu continues to deliver treats for the ears, a recent offering from Fallen (AKA Lorenzo Bracaloni) once again stands out. ‘Of memories of hopes’ is an eight track album, soundtracking the story of a man who sets about attempting to understand his life and confirm whether the life he has fought for is really what he wants. He decides to take an eight day break, to reconnect with himself and what makes him human. Powerful stuff, especially when considering current circumstances and a story i’m sure many of us can draw parallels with. 

Bracaloni impresses with his ability to convey emotions throughout each of the compositions. For example, ‘The Man I Am’ projects feelings of melancholy and reflection, whereas ‘Room with a View’ feels hopeful and uplifting. A real class act of a release.

‘Abstraction’ – Ralph Kinsella (Self-Released)

'Abstraction' - Ralph Kinsella (Self-Released)

Debut release from Scotland based Ralph Kinsella displays a production maturity of an artist with years of experience under their belt and long discography to boot. Currently living in a remote location, Kinsella cites detachment as the thread linking the ‘Abstraction’ together. For me , the release is tactile and soothing – feather-like guitar chords are the highlight throughout, contrasted against a backdrop of manipulated (somewhat industrial) synths and otherworldly sounds. Available as a free download and one to watch for sure.

‘Rituals’ – Arnaud Le Texier (Affin)

'Rituals' - Arnaud Le Texier (Affin)

I first saw Le Texier play in Newcastle, a little over ten years ago. It’s fair to say he leaned towards a slightly lighter sound back then, but over the years he has developed into one of the most prolific producers in the modern techno circuit. His three-track E.P. ‘Rituals’ marks a return to Joachim Spieth’s Affin imprint, responsible for releasing some of the best techno of recent years (stand out releases from Ukranian Svarog are jewels in my vinyl collection). In ‘Rituals’, non-compromising peak time techno is the order of the day – the tracks almost growl. Punchy, hard, fast. Brilliant.

Le Texier co-runs the Children of Tomorrow label, which seems to mirror the artists impressive production rate. Their podcast series is now over 50 editions old and the perfect opportunity to hear Le Texier at full throttle. I also often revisit his set recorded for the Erratic podcast in 2016, which you can find here.

‘The Abuse of Hypnosis in Dance Environments’ – Notzing (Edit Select)

‘The Abuse of Hypnosis in Dance Environments’ - Notzing (Edit Select)

Another label synonymous with shaping the contemporary techno sound is Edit Select, a project founded in 2007 by electronic artist Tony Scott, who also djs and produces under the same moniker. Fast approaching 100 releases, the ES discography presents itself as a lip-smacking smorgasbord of contemporary techno, featuring industry figureheads (including Mike Parker, Mark Broom and Antonio Ruscito) plus pushing the earlier careers of some of today’s most prominent DJs and producers (SNTS and Alfredo Mazzili for example).

Notzing is a sound artist from Madrid and returns to the label for his second release in quick succession. ‘The Abuse of Hypnosis in Dance Environments’ is a hard-hitting dance-floor-ready five tracker, with remixes / interpretations from Mod21 and the inimitable Oscar Mulero.

‘Black Plastic’ – Volunteer Coroner (Self-Released)

‘Black Plastic’ - Volunteer Coroner (Self-Released)

Volunteer Coroner (aka Preston Weippart) continues his search for the strange with his latest release ‘Black Plastic’, a four track E.P. featuring a collection of boundary pushing noises and spoken word. Something of a master in creating music that sets the listener on edge, this is sound experimentation at its finest.

‘Antemortem’ – Volunteer Coroner (Adversary)

'Antemortem' - Volunteer Coroner (Adversary)

Kaninhal (Kaninhål) translates into ‘rabbit hole’ and this name was chosen for the blog due to the nature in which I enjoy finding new music the most. Whether it be online, in stores, or discussing music with friends, I’ve made some of my most notable discoveries by following my nose and ‘venturing down the rabbit hole’.  I stumbled across a great find yesterday – Adversary Electronics, an experimental tape label based out of Georgia (USA), who have put together a fine discography over the last five years. 

Over the last few years, the label has predominantly been an outlet for two artists; Grant Evans and Motion Sickness of Time Travel, but have confirmed that 2020 will see the label will open up for releases from friends and like-minded artists. 

The start of February saw the label push out three new releases; ‘Antemortem’ by Volunteer Coroner, ‘Fake Spells’ by Sparkling Wide Pressure and ‘The Pessimist’ by Grant Evans. Volunteer Coroner AKA Preston Weippart has been releasing experimental / drone on a handful of labels over the past 18 months and four-track ‘Antemortem’ marks his first appearance on Adversary. It’s a really well balanced release, with Weippaert blending an interesting mix of field recordings atop of noisey droney soundscapes. Favourite track goes to ‘Carved Into Wood, a Test of Time’ – nicely composed and slightly less industrial than the other three tracks. 

I find myself being drawn more and more to cassette labels (particularly those with a more DIY feel). Keeping physical editions limited (and number quite low) and having full autonomy over artist collaboration, design and production is ensuring that these imprints are doing a great job in carving out niches within the Ambient / Experimental genre. I’m really looking forward to seeing what 2020 has in store for Adversary.